Saturday, February 6, 2016

A Gothic Apparelled Amice...not gothic: Gothic.


Today, when the word "gothic" is used, it refers to the art and architecture of the 12th thru 16th centuries - rose windows and turrets, gargoyles and peaked arches.  But there was a different Gothic before that - and this is a prime example of it.

This is an appareled amice we've made with the favourite motif of Recceswinth - better known as FLAVIUS RECCESWINTHUS REX GOTHORUM who ruled the Gothic Kingdom of Toledo over what is today Spain, Portugal, and Southern France between the years 653 and 672 of our common era.

This motive is repeated in a church he ordered be erected in honour of Saint John the Baptist after being healed by the waters of the locality; also, on his crown gifted ex voto to God, and a processional cross which are both today on public display by the Spanish State after being found buried in Guarrazar.   A set of matching book-cover plates on an early version of his Liber Judicum, illuminted with the same motif on all pages with headings, and a signet ring with his effigy are also extant in the patrimony of his descendants.


The amice apparel, really a stiff liturgical collar, we've made in blue and white recalling the sapphires and pearls of the jeweled pieces available from the Gothic King.  Furthermore, it is embellished with small pearls, since it is a most festive garment to be used in a chapel of white marble, lapis lazuli and gilt-wood.
 

As you may notice, it resembles the appareled amice of St. Thomas Becket at Sens.   Some version of that is hopefully - forthcoming.
Any takers?  We do like a challenge!

Wednesday, February 3, 2016

OF PASTORAL STOLES

This is a wider-than-usual stole used to give blessings at Weddings, Baptisms and other sacramentals outside of the Mass instead of the usual stole and chasuble. This vestment is worn directly above choir dress, as opposed to the regular stole which is vested over at least the alb.

It is also donned to impart a blessing on pilgrims of faith received in audience by a prelate or when a priest or bishop will bless a home, agricultural field or village on his journeys. For this reason, sometimes it is referred to as a Blessing Stole.

The Pope uses his to receive Catholic heads of State, and also to impart his Urbi et Orbi Blessings from the Balcony on Easter and Christmas Day. All priests - from the local curate to the Bishop of Rome himself, make use of these.


This particular Pastoral Stole in Liturgical White we've made for a Bishop - hence the green lining, proper to that dignity. His arms and other devices embroidered will be featured at a later post - after he receives it later this month from a grateful member of his congregation.

Who knows? Maybe the recipient is you! If you're a bishop. Otherwise, you could always have one made by contacting us - perhaps as a gift to your local priest or friend in the episcopate.

Friday, January 29, 2016

THE STAND OF THE THREE MARYS for the Daughters of The King



Tradition has it that three women named Mary were present at The Crucifixion of Christ besides his own Holy Mother, of the same name.  If Jesus' mother was there - immaculate, full of grace and blessed as she was - the other three were present to sustain the cross that has come to represent our faith and miracle that would take place on the Sunday after.


For this reason, the Three Marys are represented in this stand - as you may notice, each of the three angles represents a stylized letter M.

The color blue of the velvet, made to match the pole and banner itself, is also a Marian reference.

The banner, made for The Order of The Daughters of the King's Fort Lauderdale Chapter residing in Saint Mark's Episcopal Church, picks up on these themes.  The roses in the background are a prime example.


In the centre, the cross of the order proclaims in Latin:  "Magnanimiter Crucem Sustine" which is the motto used by the women of this lay sisterhood dedicated to prayer.  They, like the Three Marys, sustain Christ's cross wholeheartedly, through prayer and action - and May God bless them for it.

The American Order includes members of  the Episcopal, Roman Catholic, Anglican and Lutheran communions. It was founded in 1885 in New York City.

We, at Klave Centesca, have designed and handcrafted these devices so they may carry forth their ministry and proclaim their faith.  It will be dedicated this Sunday in a special ceremony.



For more information, you may accede to their official webpage @ http://www.doknational.org/
You may also always write us through http://klavecentesca.com if you'd like something similar made for your chapel, church, cathedral or order.

Monday, January 4, 2016

ABOUT THE SEVEN SEALS

The Agnus Dei is often represented with a book or scroll with seven seals.  This is a reference to the vision in The Book of Revelations, of the Final Judgement Day.


By convention, we have chosen to "hang" the representation of the seals too - like it became common in Medieval times, but if our religion was greatly developed during this medieval period - the bible belongs to an earlier era: the Roman.

The New Testament, which was written from the death of Jesus up to when it was compiled into an official collection in the 4th century under Constantine, thus, developed in the midst of that Roman world.
So it is in Rome of the first couple of centuries around the birth of Christ that we must look to understand the context, and what these seven seals represented for the faithful then. Also, what they would have actually looked like!

According to Suetonius, it was Emperor Nero who constituted laws concerning the procedure to properly seal documents. The translation of  Suetonius' Latin text from the University of Chicago  reads thus:

"It was in his [Nero's] reign that a protection against forgers was first devised, by having no tablets signed that were not bored with holes through which a cord was thrice passed."

It further elaborates that "The tablets consisted of three leaves, two of which were bound together and sealed. The contract was written twice, on the open leaf and on the closed ones. In cases of dispute the seals were broken in the presence of the signers and the two versions compared."

So we have words.  And now we may proceed with actual pictures of what those words describe.

In order:

The first leaf was kept as record - but it would be the other two leave that concern us: The Diploma. This is showcased in the following pictures, where the closure was achieved by passing wire through the holes described by Suetonius.

Notice the holes on each leaf of the document through which wires would be passed. 

When the two leaves were closed onto each other, those holes were used to pass the wire that would hold it shut.
Then, a box was attached to contain the seals of the Seven Witnesses required for the document to be valid:
And finally, that little box around the seals, was itself closed with a lid to protect the integrity of the wax impressions left by the witnessing signets.

The point was to have the text of the document showing in full on one of the exterior plates.  On the other exterior face, to the right and left of the seals-box were inscribed the names of the seven witnesses. 

This way, the person in possession of the letters patent, could show them to authorities or whomever should be required to see them.  In some ways, it functioned as a "green card" , visa,  passport, etc. since for example - soldiers who after 25 years service were granted citizenship and received one of these letters-patent or "military diploma" would use them to settle in one of the provinces within the Empire and be required to register at the local Curia or Praetorian Prefecture [think Pontius Pilate in Judea if you decided to move there).  Now, if the local authority thought the text had been altered or was in some way suspicious - he then would proceed to verify the unexposed text within the plates that faced each other and had remained sealed.

So breaking of the seals is an act which only a magistrate in reason of his judicial authority, could perform, and it was to verify that the external words still matched the internal, original, sealed text.

The seven seals guard the integrity of the contents as sealed by the seven witnesses. No sense in writing anything extra or adulterating the texts on the outside, when the judge will see the contents intact in due course!  And woe to those who try! The message is not so complicated.

And all of these conventions had been imposed by Nero, right around the time of Christ... and its implementation would have been quite fresh in the conscience of those who wrote or read the bible in those first couple of centuries following.

So, seven seals:  They didn't quite hang as later in the medieval charters, nor would the document have been a papyrus or leathery parchment scroll ... never mind a book out of paper!  The Roman diplomas were made of metal.

Not a lot of them survive, though quite a few incomplete "military diplomas" are scattered around local museums in Europe.  

The last two images above, to date and wit, are of the only extant specimen that conserves the seven seals intact.  It remains, as it were, sealed, so we couldn't know if the text on the outside still matches the one inside.  The original third leaf kept as a record by the offices of Emperor Vespasianus, who issued it, forever lost.

This diploma was found in Slavonski Brod some years back and not enough people know about it, so hopefully, now, more do! 

 

Thursday, December 10, 2015

ECCE, AGNUS DEI

Well, technically this is a ram, not a lamb.  It is a Renaissance jewel, part of The Waddesdon Bequest to the British Museum.  And it was the inspiration for our own version of the Agnus Dei.


Well, there was also this llama with white balloons - as conceptualized & photographed by Gray Malin... but let's not steer too off topic.

Our Lamb-of-God was made for a dear friend, an Episcopal Deaconess, with whom the design holds special meaning.  As you may notice, it has an Episcopal flag in tow - which technically is a version of the familiar white flag with a red cross often depicted - yet with particular significance to the person who is meant to wear it in the good service of proclaiming the Gospel - Mother Liza.

The Lamb stands atop a heavenly-blue book, from which hang gold braids with seven red seals.  (There will be another post about this matter soon which will surely be of interest,)

But speaking of Rams and Lambs... it may do us good to point out another depiction - where both elements collide: the emblem of the city of Visby in Gotaland:


Over 800 years ago this was chosen as the symbol of the city.  But why a ram instead of a lamb? This is best explained by the fact that the capital of Gotaland was best known for its wool trade - and wool is sheared from the ram, not the short haired baby lambs.  Also, in Gutnish and Gothic (their original language) the same word is used for both a lamb and a ram.  Nonetheless, for the people of Visby, it is an everlasting symbol of their own Christianity, and it reminds them of the roots of their capital.

Such customization of a "generic" emblem - "agnus dei" used as a noun or heraldic composite - serves to distinguish a particular entity or person's shield or achievement from that of others.  Indeed many have an "agnus dei" in or for their signet - yet if it has the horns of a ram, we know it must be be about Visby!  Equally, if it carries the cross of Toulouse (the one with twelve balls, 3 on each arm) it must be the ancient capital of the Gothic Kingdom that is referenced:

 
Every bit has meaning.  So does, for example, the red background of the dalmatic we've made.  This vestment is meant to be worn on the Memories, Feasts and Solemnities of Martyrs.  The red symbolizes the blood they may have shed in sacrifice for their faith.  The first Christian Martyr, of course, being Christ himself.  Here's to a world where no new martyrs are created then -   of ANY faith.


And that's a post with quadrupeds for you! As promised.

Wednesday, December 9, 2015

PELICAN IN PIETY

The Pelican-In-Piety refers to a very ancient symbol for Christ.  The Pelican is known for the ultimate sacrifice to save its chicks.  It prick its sides to feed them the blood that will sustain their life.  Christ gave his blood for us, and at communion, the wine drunk is in remembrance of that sacrifice.
So the Pelican isn't just a bird - and what better way to make a child or adult understand the sacrificial nature of Christianity, than with a conversation begun about the bird on your vestment?


PEARLS OF WISDOM


Lots of people think we use pearls on some of our embroideries for the "Liberace" effect... but pearls have, since ancient times, been associated with Wisdom - and our omniscient God IS wisdom itself.  Hence, whenever someone is atracted to ask about the pearls on our vestments, it's a perfect chance to speak about THE LOGOS - His HAGIA SOPHIA - or in other words, Our God, in whose service, and for whose Glory and Honour, these vestments are made.