ORNAMENTATION: I
THE MITRA PRETIOSA
THE MITRA PRETIOSA
The ornamentation of the mitre can take many forms. The first known was the addition of the titulus (vertical band) and the circulus - the horizontal one that runs along the bottom edge. Of this type, are the oldest extant mitres scattered throughout certain lucky cathedral museums in Europe - often rescued from old tombs and restored for exhibition by textile curators.
This modality has remained popular from the beginning of the last millennium until the present day.
Pope Francis makes almost exclusive use of these even on the most solemn of feasts - Easter and Christmas - which is quite correct even if admittedly, we'd love to see more of the wearable works of art in the Papal Sacristy in good use...
The perpendicular bands signify this is a "mitra pretiosa" even if no other embellishment is present. If you are a bishop, it is likely your work-horse mitre. It works on all occasions when the simplex is not called for, since it may even be used during Lent and Advent which otherwise calls for the mitra auriphrygiata in the Official Rubrics.
One step above in embelishment is encountered in the 12, 13 and 1400s. It is the same mitra pretiosa but this time with at least two rondels or "jewels" on the white spaces. At this period, we also begin seeing mitres of colours besides white - which Leovigildus would probably disapprove of - as does the Roman Caeremoniale Episcoporum, most emphatically by the 1700s.
Eventually these jewels proliferated - but the titulus & circulus remained:
Depending on the style of vestments you wear, the architecture of the basilica or cathedral... some are more appropriate than others, though technically, they are all the same: mitrae pretiosae.
Stay tuned for:
&
OF MITRES AND WOMEN
... next week!
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